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Under Glass
Texture and contrasts feature predominantly in my work. I exploit the manipulative properties of textiles and by working with very contrasting materials, I create unique textural and sculptural works.

The subject of flora continues to inspire me, especially how it’s portrayed in architecture and carving.  The historic relationship between nature and art has influenced architectural and many other artistic styles throughout mankind.  The intricate carvings of Grinling Gibbons have been a source of inspiration for my recent work.  The technical expertise by which they were created, along with the beauty of the subject matter, creates a mystery which I strive to achieve.

The contrast between the robustness of architectural works and the relative fragility of flora, challenges me to integrate the two.  By combining materials of very differing properties and by using a natural colour pallet, I emphasise the surface texture and visual impact.

I work with wool, silk, man-made fabrics and more recently glass and these enable me to achieve the contrasts required.  By creating felt by hand, and manipulating the man-made fabrics, incorporating the silks and glass during the felting process, I have total control over the surface texture whilst still allowing an element of distortion during the felting process.

The introduction of glass as both display and containment adds an element of ‘preciousness’ to my work.  I allow this to partly dictate the final structure, resulting in a Victorian eclectic style.  Glass within the felt creates ‘windows’ which I would like to develop further.



Sue Walton

 
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